This one is short and sweet. I’m reading Stephen King’s IT for reasons I’m still not sure. I think it is because I like his writing and I hate myself. Well, I mean I know I hate myself.
I pick large books curious to see how an author can continue to write after page twelve. Sadly, when I’m writing fiction, that’s the magic number where I either decide to keep going or throw what I’ve been working on in the trash and call it a day. Twelve pages, to some, is a whole lot of nothing, but to me, if I can’t seem to find the right fit at that number, then I know I’m finished.
Knowing your threshold is something that I think we should all be aware of. If you’re not sure if you have a threshold, go back and look at all the things that you have written but not finished (THAT’S EVERYTHING FOR ME) and see what page number you’re stopping. If it’s all over the place, average them out. Then you take that number and the next project you work on, when you get to that number, take a moment to see if this project is worth pursuing. This way, you can decide to keep going or stop.
We are here for a short while and many of us have a limited amount of time to spend working. I’ve been guilty of writing a hundred pages on a project realizing that it was going nowhere. And though you do learn something from those mistakes, I think having a threshold is healthy. That way we avoid getting bogged down, because that opens the door for a writer to hate themselves, and self-hate is the most destructive aspects that anyone can have.
Keep writing. Stay healthy. And if you’re ever drowning and need a hand, we’re here.
It’s time for writer worldwide to commit a certain amount of their time and creativity to NaNoWriMo 2018!
For those who’ve done this before, you know the drill – find us on NaNoWriMo: lehamm9 and superopie.
For newcomers, I’ll give a brief overview of what to look forward to!
NaNoWriMo is a month out of the year where writers gather and encourage one another to create and finish a book in 30 days. Seems pretty intense right?
Some people pull off writing a book and others use this as a time to plan and prepare for a novel. You don’t necessarily have to write an entire epic, it can be a collection of short stories, poetry, novella, or CNF. You can work on a new screenplay, essays, or biography. There’s really no limit to what you can work on, just so long as you’re writing and documenting your word count daily.
In the past, I’ve only pulled off an entire month once. It’s an extremely hard, somewhat taxing commitment to make, especially when you’re a busy person. Being a writer, whether professionally or as a hobby, can be hard. Part of it means developing good time management. NaNoWriMo forces you to learn to set aside a certain amount of time during your day to work on whatever project(s) you’ve committed to. It’s to help you develop good habits to carry on through the year.
In fact, once November is over you can continue your project with the support of NaNoWriMo through the “Now What?” months. Instead of abandoning the project, NaNoWriMo works to help you continue on, encouraging you and offering help with writers block.
There’s also a shop where you can display your support and decision to commit through t-shirts, mugs, or a thermos!
There are some neat features offered to writers while they work:
So, have a book you’re wanting to start and just haven’t yet? Feeling stuck on a project that you wish would just advance already? Need support? NaNoWriMo offers you the chance to make connections with new and experienced writers willing to read and offer advice.
A couple days ago, I received a “memory” notification on Facebook about a painting I’d completed around 7 years ago.
At that point, I was in college, oil painting was still completely foreign to me, and I was constantly surrounded by inspiration, other artists, and a workspace dedicated exclusively to painting. F U L L I M M E R S I O N. With these circumstances, all conducive to being productive, it was easy to start painting, get lost in it, and realize I’d been working for 3 days without sleeping, with minimal eating, basic hygiene, and too much caffeine (Okay, maybe that’s a little extreme). In Mihály Csíkszentmihályi’s “Flow,” he notes that state of mind where someone can get into “the zone” or “flow” in a given activity (If you haven’t read it, it’s worth checking out). When you’ve got a workspace designed to place you in this state of “flow,” it’s simple enough to be produce work. Then I graduated and moved into a fairly small apartment, removed from the workspace I’d grown so familiar.
This brought up an issue I hadn’t considered upon graduating from college: how do you tap into that “zone” or “flow” in a new environment? How can you develop your workspace, whether it be for art, crafting, writing, or any other activity, to be conducive to production? What kind of routines do you have to begin creating? For me, it’s imperative that in my apartment, without a separate studio space, that I have SOME kind of space dedicated to my work in my apartment. In that space, I need it to be free from my living areas. When I go to that space, something in my brain clicks and says, “Hey, you’re here to work, so lets do that.” Maybe you don’t have a lot of space to dedicate to your work area, then what do you do? I read one of those buzzfeed style “Routines of 20 Famous Writers” articles a few years ago, and from Hemingway to Charles Dickens, they all had specific routines for how they’d approach their day to best create work. One that stuck out to me was how many writers would go on walks before working, but the important part was developing a routine. If you want to trick your brain into thinking you’re leaving your small studio apartment to go to your dedicated studio space (That you don’t technically have), why not do something like take a walk? Leave your “living” space, walk around a couple blocks, and come back, intentions set to creating. Again, the most important part is that whatever you decide to do, and however much space you’re given, you need a routine that will allow you to have focus, free from distraction.
Here’s what I’ve found for myself. When I work, I work best at night. I’ve got a corner of my living room with my desk, easel, bookshelves, etc. to keep myself inspired, while being separated from the rest of the living area. I’ve got a pair of Audio Technica ATH-M50 headphones that work wonders for keeping outside sound out (also a great neutral studio monitor headphone for you audiophile folks out there). I also have to have socks. I can’t work without socks.
So, what kinds of routines do you all have to begin working? How do you tap into that “flow” to get lost in your art or writing? Tell us about it!
I think we can all agree- sometimes it’s just hard to find time to write. If you’re like me, I work a normal forty hours a week and writing is the second job that I fit into the spaces between work and socialization, which doesn’t leave much. I decided to read a lot of suggestions from successful writers and ultimately I found that they all agreed- you have to make time to write.
With that being said, I decided to try it for myself and come up with a writing plan that I could fit into my schedule. In a Google search for writing plans, most of them suggested similar ideas: Decide how much time to set aside, write consistently at the same time of day, and keep track of your progress somewhere visible.
Easy enough- here was my writing plan:
Fifteen minutes, every morning for a week.
I should preface that I have to be at work in the mornings by seven-fifteen, so my new writing plan required me to wake up by at least six each morning that I worked, which again, is still doable, but I found I had to make some slight life adjustments.
First of all, I had to go to bed earlier, which was hard for me because I’ve generally been a night owl and will do a lot of writing at night. Some people might ask why I didn’t decide to do my writing at night as part of my writing plan. A large part of the plan is making sure that it’s consistent and I find that my nights are not always consistent. Sometimes you get tired and go to bed early after work, or you socialize with friends or have too many drinks. The evening just wasn’t as promising as first thing in the morning.
The second thing I had to do was upgrade my coffee maker. I had been using a single cup brewer but found with getting up earlier, I was having to make multiple single cups of coffee, and it just made more sense to switch to a pot of coffee. With my upgrade to a pot of coffee, also came the ability to prep my coffee the night before and set a timer for it to brew each morning before I woke up. This was quite the game changer for me, I will admit. It is much easier to roll out of bed with the smell of coffee in the air.
The third thing I did was take the advice of the articles I read and write my progress on the large marker board calendar on my desk. I marked my beginning word count and pages and made a box to check off for each day for a week to make sure I fulfilled the day’s writing. I also kept track of my word count and pages for each day, which was nice to physically see my progress and how far I had gotten from my starting word count. It also felt nice to put a big X in the day’s box to show I did my writing for the day once I was done.
Also, to add some backstory- the writing I have been working on has been a long project of mine- a book I started a few years ago. Since I started, with no writing plan, I would just write in my spare time, between poetry and short stories and I would write at varying times and lengths of times, so there was really no organization. My book had been more of a hobby than an actual book it felt.
With doing all the suggestions, I will say that I am super pleased with the results. For one, I felt so much better going to work after getting my brain started and doing something that I love. I felt more awake, more accomplished and I found myself looking forward to the next day and continuing with my characters and what was going to happen next.
So here are the results of my writing plan:
Starting word count: 21,926 – page 75.
After one week, ending word count: 25,567 – page 87.
Each morning started with a few sips of coffee and reading the last two paragraphs over before starting my fifteen-minute timer. I learned how quickly fifteen minutes goes by the first morning. I realized that each sip of coffee took time away from my word count or if my phone wasn’t on silent and I received a notification it took time from my brain and thought process.
By the third morning, I felt like a pro. When I sat down to my computer, I was only there to write my story. I felt like I was racing my timer and that every second counted. I would look at the previous day’s word count and challenge myself to beat it. I was waking up early and I genuinely wanted to be there; it was a proud feeling.
The only downfall I would include in this plan is the lack of time to think while writing. Previously, I have always been a writer that will dwell, think about one sentence or paragraph, and make sure it was perfect before moving on. But with a timed plan, there is no time at all to sit and dwell. This, of course, is why editing exists. So I didn’t have a hard time not micro-managing my sentences, rather, I was getting to significant moments in the story where I needed to think about how I wanted a character to act or what I wanted to happen next, but I couldn’t just sit there and think it through.
This downfall was good and bad, I think. It was good in the aspect that I felt all my scenes were drawn out and more detailed. I also worked on developing the dialogue among characters because I had the time to write through the scenes while trying to think where I was taking them next. The bad part was the actual progress of the story. I wrote through maybe one vital scene in the book, but most of the writing was spent on character development.
Overall, by starting my writing plan, my book gained 12 pages and 3,641 words in two hours, and that feels like a win to me. I actually enjoyed my writing plan so much that I’ve continued it on a regular basis. I will be honest, I am more relaxed with myself on the weekends, but throughout the week, I still set aside time to meet with my characters before work and I’m continuing to see my word count grow as a result.
From one writer to another, if you find yourself reading this post and consider developing your own writing plan, I would say do it, absolutely. I think each plan should be different and cater to the writer’s lifestyle or else you might find yourself resenting your writing time and develop it into a negative experience. So go forth, stay in love, or fall in love with your craft and get the words out. Just write.
When I talk about writing I feel confident in my viewpoint, but that doesn’t mean I’m correct at all. Writing, as you know, is organic and each writer must feel out how to approach the beast with the intention of creation and not destruction. Which, coincidentally, is how I think of trying to pet my cat’s stomach. There’s a chance that I could die every single time I tempt fate when the cats expose their belly.
But while reading three things at once that touch on very different subjects, I’ve spent some time thinking about how I choose what I choose for the journal. And then I think about how I write what I write and how I need to start writing what I write to see it make it somewhere other than the folder of shame. As writers, we’ll always be working on optimizing our mechanical skills and tightening sentences, so they’re delivered as short devastating punches. But the one singular thing that I think those of us that like to write about the weird is to accept the world of the mundane as our canvas.
When reading stories that go sideways, what I’ve found that makes them worth reading is how they’re framed. Every single time I start reading a submitted manuscript, I like to settle in a world that, at first, seems like it’s not going to have any kind of weird aspect to it. Then lo and behold a man will peel the flesh off his face to reveal he’s a giant fly. And then I buckle up my let’s fucken go seatbelt.
To make something shocking happen, or at least, for the reader to feel the shift from the normal to the strange, we need to set up rules of our small written worlds. The first one being that we should never minimalize the small details. Effective stories usually have the main character do normal things like making some coffee, worry about bills, pet a cat, or think about petting a cat. This is something that’s been said to us all over and over and over and over (make it stop) but I’m going to say it again: keep the reader grounded.
This is especially important for those of us that like to explore the idea of the weird. As a reader, I want to be immersed in the story and the world, no matter how short it is. I want to be. And to do that, we must use regular and mundane details and actions as anchors that we can latch onto. Because deep down, we’re always looking for something in a story to take for ourselves and apply it to our own lives. Maybe not an answer, but just the simple single truth that seems to keep us afloat.
But to step back a little, sometimes there are stories that I call carnival rides. Meaning that we, as the reader, are supposed to understand that this is wild from the get-go and we’re to enjoy it as a passenger. Shiver and laugh at the right places while the actors move and do their things for entertainment.
Either way, both styles have their place in our journal and in the world. Many academics will tell people that there’s just no worth (except entertainment) when it comes to the scary, weird, strange, or new age. But I think they’re the most visceral types of art. Because it peels back those layers and exposes parts unknown to us. Once the initial shock is over, we then explore the why. And truths about our darkest selves, once unraveled and understood, only makes us a little more whole.
Let’s be honest. Isn’t that what we’re looking for anyway?
It’s September 14th, so you know what that means! It’s 17 days until October! As a visual artist, October is one of my favorite times of the year. Sure, the seasonal food is great and the romanticized imagery of Autumn are all okay, but have you seen the A R T? Every October, the collective internet gathers together and participates in Inktober, a daily drawing event started in 2009 by cartoonist Jake Parker. Each day you’re given a prompt, and you have to create a drawing based on either that prompt, or one of your own (Check out #inktober on Instagram or Twitter and prepare to lose a few hours of your day looking through it all). However you approach it, that’s up to you. The goal is to create something in ink, every day, the entire month (or in intervals throughout the month). Personally, I love it because ink is unforgiving. If you lay down a mark, that mark is there f o r e v e r. Not where you intended it to be? That’s okay! We’ve all heard the age old adage, “We don’t make mistakes, just happy accidents.” There’s so much to learn from this practice, however. Maybe that stray mark will force you to make new decisions about composition, or maybe it’ll spur a new idea. Ultimately, working with a media like ink will make you a more confident artist, and when you’re confident in your work, every aspect of your creative process will improve, from your linework, to your compositions and markmaking economy. Have you ever looked at one of John Singer Sargent’s portraits?
You can see each individual broad, thick brush stroke that he used to create the hand. Personally, I’ve noodled in paint for hours to render a hand. THAT is why I like Inktober, you have to make those decisions, and be confident in them. I’d encourage everyone to participate! Be as literal or as figurative as you’d like with the prompts! Here’s one I made last year for the theme, “Underwater.”
That took a much larger portion of this blog than I was anticipating, but that’s okay! This was originally going to be a post about inspiration, and Inktober is a GREAT way to give you a little nudge for inspiration with its prompts, so lets talk about that. Where do you find inspiration? While I was a teacher, one of the most common things I heard was “I have art block. I can’t work unless I feel inspired.” What if I told you that sometimes, the best way to find inspiration is just to start making something. Work with a new media, keep a sketchbook, draw from life, find a community of creatives on or offline that are just as jazzed up to create as you are. There are hosts of daily sketch groups on Reddit, Facebook, and Discord, and I’d gladly provide links if anyone wants them! Sometimes just seeing someone else making something cool is all it takes to start making something yourself. Take some time to see your surroundings, digest media like music, movies, tv, or books, and find ideas from those. Idea generation, to some degree, is a skill. The more you practice it, the easier it will become. Have fun with it, and try something new! Going back to Inktober, the great thing about it is that there are no expectations. You’re supposed to be learning and challenging yourself, so have fun and explore, without worrying about the outcome.
Where do you find your inspiration? What movies, video games, books, or music do you play to get into that creative mode?
Lets go make things. If you want to participate, feel free to share with us on social media! We’d love to see them! If you don’t want to participate, but still want to share art with us, send us that too! While you’re at it, consider submitting art and photography to both our Halloween contest and our next issue!
This is coming to you from the fingertips of the newest Ginger with a voice you will soon come to know very well. I’m Brittany and I will be taking the reins on our social media platforms, which means I will get to read, respond, share and talk to all of our wonderful writers, readers, fans and friends or whoever it might be that wants to interact with us. Send your thoughts my way!
Brittany L Howard
Social Media Manager
Brittany received a Bachelors of Art in English with an emphasis in Creative Writing from Eastern Kentucky University. She currently works as a receptionist at Brighton Animal Clinic in Lexington Kentucky because of her loving passion for animals. Her hobbies include hiking with her dog Zoey, reading psychological thrillers and attempting to write the next great American novel.
Because it’s national poetry writing month, and I wrote this for a speech, that when standing in front of everyone, I just bombed the HOLY FUCK out of. I figured I’d drop this in our blog. This is for anyone who is wondering why they write and continue to do so when it is the worst thing ever to happen.
We’ve all decided that there is no point in denying the need to write. We do it, not because of some form of entertainment or to initially reach out to others. Though some of you lucky and talented writers have been able to take your work and share it with the world, it is, at first, in the germination stage, a very personal thing. We write because it is our drive and unspoken nature. We note things down that happen to us to use later and some people think that’s not normal. But let’s face it, we know we’re not normal.
Poetry is a condensed form of this experience. It’s the practice of getting to close to the truth and letting it wound us in hopes that when we share the experience, someone out there will have this moment where they will connect. Not with the sentence lengths, the rhyme, the meter. None of the formality that we so pride ourselves. But of the wounded truth that comes, not limping, but breaking through barriers and touching that sore spot right behind the breastbone.
That’s what we really want, is to connect. And it is impossible sometimes to exactly express what we feel. Cause feelings are hard and complicated and messy. Poetry it allows a price experience that we can than share with others. It is another tool of effective communication that has existed well beyond any of us. There are those ancient mythologies that try to reason where poetry came from because some consider it divine.
I think it is so important and powerful because it does not come from the divine, but instead it is the most human thing we can do. To expose ourselves in a way for others to see something that is vulnerable, and in the wrong setting, could be used to destroy a person. But the idea of sharing something creates an unspoken bond.
So, this leads to me to talk about the importance of this whole thing. Why we’re here. That’s to understand that we need writing, of all kinds within our community and schools. Because to understand someone, is to know someone, and to know someone is to be able to carry a civil discussion about the problems we face in our daily lives, political and personal. And with this understanding we can come to find answers to things that, alone, we would never achieve.
Writing is a solitary craft that many of us have a hate/love relationship. But the writing itself is our greatest effort in lighting a signal in our darkest of moments. Just in hope that someone else passing by will look our way and acknowledge the welling emotions that have driving us to that far unreachable distant point..
In case you haven’t noticed, there’s a new Ginger in town. Unfortunately, I’m only a ginger in spirit. You might be asking yourself, “If he’s not a ginger, won’t the name have to change? Won’t everything have to change?” Nope, it’ll still be the same Ginger Collect you’ve come to know and love, except you’ll be sending your art and photography to me.
Jonathan G Nickles
Editor – Illustration and Photography
Jonathan received a Bachelors of Art in Visual Art and a Masters of Art in Visual Art from Morehead State University. He currently works as a Media Specialist at Kentucky River Community Care, a community mental health center. On the side, he spends most of his time hanging out at comic conventions and drawing geeky things to sell at comic conventions. He has a leather jacket signed by Don Dokken and tries to let everyone know about it.
We’ve all felt it before, the anticipation as we watch numerous characters in a movie fall victim to an offscreen monster. Wondering what exactly this monster looks like and how horrible it will be. It’s a play on our fear of the unknown, which most of you already know because you are excellent writers. Which, before we go on, you should go check our latest issue instead of reading this garbage.
The ability to create tension with the unknown, when done correctly is a wonderful tool that leaves the audience somewhat satisfied. I say somewhat because we’re not naturally happy with living with the unknowable. We build giant metal rockets and hurl them into the darkness of space in search of answers, or we build giant metal submarines to dive deep into the ocean to find out what exactly lurks in the murky depths. Hint: ITS CTHULU, DON’T WAKE HIM UP.
The magic of mystery is just that; it is a mystery. When you talk to most about a movie where the monster is revealed in the last scenes, their excitement drops a little and sometimes you’ll hear them say that they were a little disappointed. Usually this happens when they discuss the monster in The Thing or IT. There’s just something about the storyteller playing with our imaginations that makes it better than any reality ever could.
J. Abrams has been a believer in this forever. I must talk about him for a moment because I should introduce the concept of a mystery box. He has this idea that if you create a mystery box within a story, it will drive the audience to follow along in hopes to find an answer. He then goes on to explain that once the mystery box is opened, then the magic is destroyed. So, what we’re supposed to do as writers, is preserve the mystery box if possible. And this, folks, this must be one of the hardest thing that anyone has ever tried to do.
I’ve already talked about Stephen King’s The Mist and this is what he does in that story. But I have never come across someone that was able to keep the mystery box intact throughout the entirety of the story. And I don’t mean there are answers and reveals at the end. Jeff Vandermeer’s Annihilation does something completely unexpected with this idea and it works.
Just to give a brief overview of how he starts it out I’ll summarize the opening. If you don’t want it ruined (which it clearly won’t ruin anything) please just wander off somewhere else. The story has four characters including the main character. The entire thing is told in first person and there are no names, only titles that define their jobs. On top of that, the location takes place in Area X which is surrounded by an unknown boundary that is talked about never mentioned.
Everything that is delivered to the audience is wrapped in a thousand questions that Vandermeer doesn’t ever promise to answer. And though the characters discover things, it only brings up more questions and the mystery box becomes stronger. There were times when my imagination ran rampant during a scene where there was something that the main character had to deal with.
What I really enjoyed about this book was that the answers were never fully given. They were delivered just enough for me to fill in the rest with my imagination. There’s even a scene that reminds me of a twisted version of Dante’s Paradiso, which makes me always happy.
But if you’re struggling to keep that tension with a mystery box; Jeff Vandermeer’s Annihilation is a perfect lesson on what to do. From beginning to end.